|
Breakfast
with Marty
Laryssa
Landale discovers the story behind Marty Gervais’ book: “The
Rumrunners: a prohibition scrapbook.”
“...
when I asked them for their stories, they said,
“what do I get out of it?”
He’s
an accomplished author, poet, play-wright, and columnist; founder
of The Black Moss Press (Windsor’s first publishing company);
managing editor of The Windsor Review; University of Windsor’s
Resident Writing Professional. His list of literary pieces includes
several collections of poetry, a children’s book, a history
of policing in Windsor, a play, and most recently, a history of
the Italian Men’s Choir in Windsor. Perhaps Marty Gervais’
most renowned feat however, is the 1980 publication “The Rumrunners:
a prohibition scrapbook.”
Ironically,
as the title suggests, this book is literally a compilation of leftovers.
I
met with Marty one foggy March morning for breakfast at The Lumberjack
in Windsor to discuss his fascination with this subject. I left
with a full stomach and a brain packed with interesting details
about this bygone era.
Marty
originally began researching local prohibition stories in search
of a plot for the play he had been commissioned to write for the
University of Windsor drama department’s showcase production.
He thought a play on the prohibition era would be interesting, but
wasn’t sure what angle to take. During his investigation Marty
came across the story of J.O.L. Spracklin and “Babe”
Trumble.
Their
feud represents “the epitome of prohibition” says Marty.
Spracklin was a local Methodist minister chosen by the Ontario government
to enforce prohibition in the Windsor area. Trumble was saloonkeeper
of The Chappell House (appropriately renamed “Rum Runners”
bar for a while.) The two had known each other since childhood,
and there was no love lost between them by being on opposite sides
of the prohibition issue. Marty saw Spracklin as representing “the
forces of good…[in] excess.” He paints the picture of
Spracklin as a pistol-packing Methodist minister, “marching
up and down the Detroit River…like Wyatt Erpp.” Babe
Trumble, on the other hand, “represented the excess of prohibition.”
One fateful night in November 1920, Spracklin confronted Trumble
and then shot him, claiming the other man had flashed a gun. The
details of this circumstance were intricate and intriguing.
Marty’s
investigative efforts culminated in the production of the play “The
Fighting Parson.” But the scraps left over – all the
other stories and information on prohibition that he had collected
– became the makings of “The Rumrunners: a prohibition
scrapbook.”
Marty’s
research experience itself would make a good book. It seems, even
in the late 70s, many of those involved in rum running were still
hesitant to speak of it – nearly fifty years after prohibition
had ended. “These people lived through it,” he comments,
“some of these people didn’t want these stories told
again…when you live through something you don’t think
of it as history.”
Marty
came across several stories that no one was willing to talk to him
about. There are stories that should be in the book, but aren’t
because he was not given permission to print them. Many of the old-timers
feared being arrested or “having the income tax department
hit them up for money,” he says. “However,” Marty
continues, “when the book came out it suddenly made it okay.
So now people are saying, “well, you don’t have my story”
or “why didn’t you print my story?” Well, because
you didn’t let me.” Their attitudes were that they had
been keeping these secrets for most of their lives, and weren’t
about to let them out now. Apparently Marty has hours and hours
of taped interviews that never made it into the book. Do I smell
a sequel?
Marty
then explains the manner in which he was able to obtain as many
stories as he did. “These guys aren’t stupid…[they]
made money during prohibition era…So when I asked them for
their stories, they said, “what do I get out of it?”
So I had to make deals with these people.”
King
Canada seemed the least demanding with his request for five copies
of the finished book. Two weeks after the King received them he
contacted Marty to request ten more books for relatives in Florida.
Not long after that, the King was asking for more. Marty soon discovered
that he was selling them in Belle River. “He was still making
money from the rum running days!”
| A
Roaring
Twenties Glossary
Baptized: diluted
liquor
Barrel house: a place where liquor is sold illegally.
Barrel house bum: a drunkard.
Beerage: prominent people whose wealth has come from
the manufacture and sale of beer.
Beerocracy: People who have made fortunes
by the sale and manufacture of beer. A member of this group
is a beerocrat.
Blind-pig or Blind tiger: a place where liquor is
sold illegally. Term originated from the practice of a shrewd
Yankee who evaded law against the sale of liquor by placing
a blind pig on a box inside of a tented enclosure and announced,
“See the blind pig. Ten cents a look.” With each
payment he gave a way a drink of rye or bourbon.
Bootleggers: one who sold liquor illegally. Term
originally applied to one who hid liquor in his bootleg.
Flapper: Young female of the 1920s. Term signified
young woman with a cynical attitude; an interest in daring
fashions and indifferent morals.
Gin mill: A low dive; a saloon.
Heeby-jeebies: Delirium tremens.
Hooch, Moonshine, Red Eye, Monkey Swill, Moon: intoxicating
liquor.
Short-circuit: booze that was to be exported from
Canada to “Cuba, Bermuda or Mexico” but came back
into the country, ending up in roadhouses and Blind-pigs.
Speak easy or speak: A place where liquor was sold
illegally or after legal hours. Term first used in the nineteenth
century to mean, “speak softly when ordering illicit
liquor.”
Squirrel: whisky
source: Rumrunning
and the Roaring Twenties, Philip Mason, Wayne State
University Press, 1995. |
Walter
Goodchild was another interesting character. He had a goldmine of
rum running photos – many taken in broad daylight –
which had been sought after by other media personnel. Goodchild
had been put off by the pretentious attitude of other journalists
that had an interest in his information. They had come to the house
for a television interview and begun rearranging everything without
permission. Goodchild kicked them out.
King
Canada seemed the least demanding with his request for five copies
of the finished book. Two weeks after the King received them he
contacted Marty to request ten more books for relatives in Florida.
Not long after that, the King was asking for more. Marty soon discovered
that he was selling them in Belle River. “He was still making
money from the rum running days!”
When
Marty contacted him in regards to these pictures Walter told him
“yeah, I’ve got pictures…but I’m not going
to give ‘em to you.”
Marty
went out anyway. Their first two visits consisted of much conversation
– about everything but prohibition. The third time Marty went
out to see Goodchild he brought a forty-ouncer of Canadian Club
whisky. That opened up a door, and Marty was successful in getting
not only Walter’s story but the copyright to his pictures,
as well.
One
of the other guys who had agreed to talk to Marty had him drive
out to his home in Belle River. When Marty arrived the old man was
waiting with his coat on at the front door. He jumped in the car
and said, “Lets go.” Marty was intrigued. He figured
they were off to see some of the old rum running haunts.
They
ended up at the relatively new Gordon’s grocery store. At
that point Marty says he “began thinking okay, this must be
the site of…” so he [the rum runner] said, “Come
on.” So I go inside the grocery store. He grabs a shopping
cart. Starts going up and down the aisles filling the shopping cart.
So
I said, “what are we doing here.” He said, “well
I needed a ride to the grocery store. I usually take a taxi, because
you know …I’m a pensioner…and you want a story
for the rumrunners.” “Yeah, well where do I fit in?”
“Well, you’ve got the car. You’ve driven me over
here, so I’m going shopping and I’ll talk to you while
I shop.”
“The
Rumrunners” book was, without question, the definitive work
on local prohibition. It created an appetite in area residents that
has yet to be satiated. The book became a best seller (it is currently
out of print, but Marty has been toying with the idea of a second
run.)
We
still crave details about the cultural anomaly known as the Roaring
Twenties. The era was full of irony and paradox. Marty makes one
final observation of the prohibition circumstance: “The irony
[is]…that this area voted overwhelmingly against prohibition.
Turns out that this area of the country [Windsor] made more money
from prohibition than any other area.”
Prohibition
certainly was a colourful era, filled with characters and stories
the likes of which we may never see again. If not for Marty Gervais’
research into the phenomenon that was prohibition, many of these
stories would have faded with the memories of their leading players.
Back
to prohibition main
|